slipjig3: (piggie)
A while back, in a typical fit of boredom I assembled a list (not for the first time) of my choices for the 125 greatest music videos ever created, with the intention of talking about them in detail online, one at a time. Thus followed a long period of brainstorming, shuffling around a few hundred index cards, transferring data to a spreadsheet, researching dates and directors, hunting down the videos in question (damned hard at times), uploading them to Vimeo when Vimeo didn't have them and then getting yelled at by Vimeo for doing that, etc. In the end it was finally time to do the analysis I had been preparing in my head all this time.

And then the write-ups never happened. Part of that was attention-span failure, but the main problem was that although there were clips I very much wanted to talk about, all too many boiled down to a shrug and a curt, "This is awesome, you should totes check it out." I got about a dozen or so screeds written up, hit one title that I really had nothing to say about, and once several months of dithering had passed and I began rethinking my choices and finding items that I hadn't seen prior to my initial list that I desperately wanted to include, the game was pretty much toast. Le sigh.

But I still have that list, and since the thought of all that work going down the tubes makes me cry almost as hard as last night's screening of Inside Out, here is the complete list in order, with links to the videos in question. Please share your agreements, your disagreements, your comments, your omissions—in short, please, somebody say something. I know it violates the cardinal rule that bloggers maintain the illusion that we're not attention-grubbing, but goddammit, this was several weeks of my life we're talking about here. (In particular, if you're wondering why I included something, please feel free to ask. There's probably half an essay about it still in my head.)

[EDIT: Soooo a bunch of the videos listed here are ones I'd uploaded to Vimeo myself, which some of the copyright holders weren't especially happy with. Long story short, they shut down my account, which means a lot of these links are now broken. Phooey. I trust your collective Google-fu, however, to find what's missing.]

The 125 Greatest Music Videos: One Bored Guy's Unsolicited Opinion

* = not safe for work

1) "Bachelorette," Björk (dir. Michel Gondry, 1997)
2) "California," Wax (dir. Spike Jonze, 1995)
3) "Sugar Water," Cibo Matto (dir. Michel Gondry, 1996)
4) "Trouble," Coldplay (dir. Tim Hope, 2001)
5) "Close to the Edit," Art of Noise (dir. Zbigniew Rybczynski, 1984)
6) "Losing My Religion," R.E.M. (dir. Tarsem Singh Dhandwar, 1991)
7) "Dear God," XTC (dir. Nick Brandt, 1986)
8) "Street Spirit," Radiohead (dir. Jonathan Glazer, 1996)
9) "Bastards of Young," The Replacements (dir. The Replacements, 1986)
10) "Glósóli," Sigur Rós (dir. Arni & Kinski, 2005)
11) "Subterranean Homesick Blues," Bob Dylan (dir. D.A. Pennebaker, 1967)
13) "Hurt," Johnny Cash (dir. Mark Romanek, 2003)
14) "Lucas With the Lid Off," Lucas (dir. Michel Gondry, 1994)
15) "Jeremy," Pearl Jam (dir. Mark Pellington, 1992)
17) "Islands," The Xx (dir. Saam Farahmand, 2010)
18) "El Scorcho," Weezer (dir. Mark Romanek, 1996)
19) "The Scientist," Coldplay (dir. Jamie Thraves, 2003)
20) "Let Forever Be," Chemical Brothers (dir. Michel Gondry, 1999)
21) "Virtual Insanity," Jamiroquai (dir. Jonathan Glazer, 1996)
22) "Just," Radiohead (dir. Jamie Thraves, 1995)
24) "Come Into My World," Kylie Minogue (dir. Michel Gondry, 2002)
25) "Push It," Garbage (dir. Andrea Giaccobbe, 1998)  *
26) "Ava Adore," Smashing Pumpkins (dir. Dom & Nic, 1998)  *
27) "Coffee & TV," Blur (dir. Hammer & Tongs, 1999)
28) "Sledgehammer," Peter Gabriel (dir. Stephen R. Johnson, 1986)
29) "New York Is Killing Me," Gil Scott-Heron (dir. Chris Cunningham, 2010)
30) "Closer," Nine Inch Nails (dir. Mark Romanek, 1994)  *
31) "Protection," Massive Attack (dir. Michel Gondry, 1994)
32) "Sabotage," The Beastie Boys (dir. Spike Jonze, 1994)
33) "Stinkfist," Tool (dir. Adam Jones, 1996)
34) "Fell in Love With a Girl," The White Stripes (dir. Michel Gondry, 2002)
35) "Cloudbusting," Kate Bush (dir. Julian Doyle, 1985)
36) "Hell Bent," Kenna (dir. Mark Osborne, 2003)
37) "Road to Nowhere," Talking Heads (dir. Stephen R. Johnson, 1985)
38) "Kiko and the Lavender Moon," Los Lobos (dir. Ondrej Rudavsky, 1993)
39) "My Country," tUnE-yArDs (dir. Mimi Cave, 2012)
40) "Pretty Good Year," Tori Amos (dir. Cindy Palmano and Sam Riley, 1992)
42) "Only You," Portishead (dir. Chris Cunningham, 1998)
43) "Thursday's Child," David Bowie (dir. Walter Stern, 1999)
44) "Who's Gonna Save My Soul?" Gnarls Barkley (dir. Chris Milk, 2008)
45) "Ana Ng," They Might Be Giants (dir. Adam Bernstein, 1989)
46) "Mr. Krinkle," Primus (dir. Mark Kohr, 1993)  *
47) "Easy Way Out," Gotye (dir. Darcy Prendergast, 2012)
48) "Imitation of Life," R.E.M. (dir. Garth Jennings, 2001)
49) "Burning Down the House," Talking Heads (dir. David Byrne, 1983)
50) "Lessons Learned," Matt & Kim (dir. Otto Arsenault & Taylor Cohen, 2009)  *
51) "Karmacoma," Massive Attack (dir. Jonathan Glazer, 1995)
52) "From Your Mouth," God Lives Underwater (dir. Roman Coppola, 1994)
53) "Cry," Godley & Crème (dir. Godley & Crème, 1985)
54) "Freedom '90," George Michael (dir. David Fincher, 1990)
55) "Drop," The Pharcyde (dir. Spike Jonze, 1995)
56) "This Too Shall Pass," OK Go (dir. James Frost, 2010)
57) "Missionary Man," The Eurythmics (dir. Willy Smax, 1986)
58) "Around the World," Daft Punk (dir. Michel Gondry, 1997)
59) "Afrika Shox," Leftfield & Afrika Bambaataa (dir. Chris Cunningham, 1999)
60) "Praise You," Fatboy Slim (dir. Torrence Community Dance Group, 1998)
61) "Twist in My Sobriety," Tanita Tikaram (dir. Gerard de Thame, 1988)
62) "Weapon of Choice," Fatboy Slim (dir. Spike Jonze, 2001)
63) "Pagan Poetry," Björk (dir. Nick Knight, 2001)  *
64) "First Day of My Life," Bright Eyes (dir. John Cameron Mitchell, 2005)
65) "Nothing Compares 2 U," Sinead O'Connor (dir. John Maybury, 1990)
66) "March of the Pigs," Nine Inch Nails (dir. Peter Christopherson, 1994)
67) "Pumping on Your Stereo," Supergrass (dir. Hammer & Tongs, 1999)
68) "The Box," Orbital (dir. Luke Losey, 1996)
69) "Mad World," Gary Jules (dir. Michel Gondry, 2004)
70) "Airhead," Thomas Dolby (dir. Thomas Dolby & Drew Takahashi, 1988)
71) "Exhibit 13," Blue Man Group (dir. Blue Man Group and Kevin Frech, 2002)
73) "Ride," The Vines (dir. Michel and Olivier Gondry, 2004)
74) "Smack My Bitch Up," Prodigy (dir. Jonas Åkerlund, 1997)  *
75) "In Bloom," Nirvana (dir. Kevin Kerslake, 1991)
76) "Chiquitita," Sinead O'Connor (dir. Sophie Muller, 2003)
77) "The Perfect Drug," Nine Inch Nails (dir. Mark Romanek, 1997)
79) "Oxford Comma," Vampire Weekend (dir. Richard Ayoade, 2008)
80) "On," Aphex Twin (dir. Jarvis Cocker, 1993)
81) "Oh Father," Madonna (dir. David Fincher, 1989)
82) "Twin Flames," Klaxons (dir. Saam Farahmand, 2010)  *
83) "Head On," The Pixies (dir. Scott Litt, 1991)
84) "This Train Don't Stop There Anymore," Elton John (dir. David LaChapelle, 2001)
85) "Low Rising," The Swell Season (dir. Sam Beam, 2009)
86) "Leave Me Alone," Michael Jackson (dir. Jim Blashfield and Paul Denier, 1989)
87) "Who We Be," DMX (dir. Joseph Kahn, 2001)
88) "Can't Stop," Red Hot Chili Peppers (dir. Mark Romanek, 2003)
89) "Heart Shaped Box," Nirvana (dir. Anton Corbijn, 1993)
90) "Believe," Chemical Brothers (dir. Dom & Nic, 2005)
91) "Teardrop," Massive Attack (dir. Walter Stern, 1998)
92) "Declare Independence," Björk (dir. Michel Gondry, 2007)
93) "Pressure," Billy Joel (dir. Russell Mulcahy, 1982)
94) "Freak on a Leash," Korn (dir. Todd McFarlane, Jonathan Dayton and Valerie Faris, 1999)
95) "Boys of Summer," Don Henley (dir. Jean-Baptiste Mondino, 1984)
96) "Rockit," Herbie Hancock (dir. Godley & Crème, 1983)
97) "Hush," Kula Shaker (dir. Zowie Broach, 1997)
98) "Le Vent Nous Portera," Noir Désir (dir. Alexandre and Jacques Veneruso Courtes, 2002)
99) "Romantic Death," The Sun (dir. Alex Nam, 2005)  *
100) "Caught a Lite Sneeze," Tori Amos (dir. Mike Lipscombe, 1996)
101) "Yonkers," Tyler, the Creator (dir. Wolf Haley, 2011)
102) "Right Here, Right Now," Fatboy Slim (dir. Hammer & Tongs, 1999)
103) "Stupid Girl," Garbage (dir. Samuel Bayer, 1996)
104) "Rock DJ," Robbie Williams (dir. Vaughn Arnell, 2000)  *
105) "Atlas," Battles (dir. Timothy Saccenti, 2007)
106) "Knights of Cydonia," Muse (dir. Joseph Kahn, 2006)
107) "Take Me Out," Franz Ferdinand (dir. Jonas Odell, 2004)
108) "Addicted to Love," Robert Palmer (dir. Terence Donovan, 1986)
109) "Revolution 909," Daft Punk (dir. Roman Coppola, 1998)
110) "Star Guitar," Chemical Brothers (dir. Michel Gondry, 2002)
111) "Smooth Criminal," Michael Jackson (dir. Colin Chilvers, 1987)
112) "Never Is a Promise," Fiona Apple (dir. Stephane Sednaoui, 1996)
113) "Toe Jam," The BPA feat. Dizzee Rascal and David Byrne (dir. Keith Schofield, 2008)  *
114) "Monkey Drummer (Mt. Saint Michel + Saint Michaels Mount)," Aphex Twin (dir. Chris Cunningham, 2001)
115) "Valtari," Sigur Rós (dir. Christian Larson, 2012)  *
116) "Sacrilege," Yeah Yeah Yeahs (dir. Megaforce, 2013)  *
117) "Bad Day," R.E.M. (dir. Tim Hope, 2003)
118) "Cell Phone's Dead," Beck (dir. Michel Gondry, 2006)
119) "You Gonna Want Me," Tiga (dir. Olivier Gondry, 2005)
120) "Free as a Bird," The Beatles (dir. Joe Pytka, 1995)
121) "High and Dry," Radiohead (dir. Paul Cunningham, 1995)
122) "Since I Left You," The Avalanches (dir. Rob Leggat and Leigh Marling, 2000)
123) "Remind Me," Royksopp (dir. Ludovic Houplan & Hervé de Crécy, 2002)
124) "Least Complicated," Indigo Girls (dir. Mark Fenske, 1994)
125) "Flat Beat," Mr. Oizo (dir. Quentin Dupieux, 2000)
slipjig3: (homesick blues)
I had this 125 greatest music videos of all time project thing I was doing that pretty much ran aground before it even made the top 100. That doesn't much surprise me (attention span and all that), but I've still harbored hopes that I could pick it up again somewhere down the line, largely because yammering about film in general and music video in particular is a Thing for me. The problem is that I made a vow to myself that I wouldn't go rearranging the list, and I keep finding stuff that's worth rearranging the list for. To wit, I give you "Unconditional Rebel" by Siska:

https://vimeo.com/118738368

The director, Guillaume Panariello, claims it's the shortest video shoot ever, and he's probably rightprincipal photography was completed in 5 seconds flat (with a few items digitally spliced in during post-production), stretched to meet the full 3 1/2 minute running time. It's an idea that's been done before (Spike Jonze's clip for "California" by Wax is very high on that aforementioned list), but man, what a gorgeous piece of work this is. The weirdness factor is through the roof, a combination of middle-of-nowhere bleakness with pure gleeful destructive entropy and madness, slowed down into a ballet of the end of the world. Panariello's greatest stroke of genius is his willingness to use negative space; he's got some 80-odd extras giving it their all, but as we pan ever sideways he's got the courage to have stretches broken only by one or two distant figures, no less insane than everyone else, just enjoying their insanity alone. And that's even before we get to that vertigo-inducing carnival ride at the 2/3 mark, so startling that we don't even notice where the black smoke is coming from, until it's too late to change the fact that yes, we are all going to die.

Oh, and the song is frickin' amazing. Give the clip a look.
slipjig3: (homesick blues)
[NOTE: I started the 125 Music Videos Project late last year through posts in Facebook, which is singularly unsuited to this sort of thing. I am therefore, after a hiatus, taking it to the good folks of LiveJournal; if this is your first time viewing one of these, you can find a description of the project, as well as the 12 entries from #125 to #114, at the Music Video 125 Tumblr. Thank you.]

Rank: 113
Title: Toe Jam
Artist: The BPA featuring David Byrne and Dizzee Rascal
Director: Keith Schofield
Year: 2008

The BPA featuring David Byrne and Dizzee Rascal "Toe Jam" from Keith Schofield on Vimeo.



Censorship is a peculiar concept, if you think about it. Banning a work of art is pretty cut and dried: this work is dangerous, so you people don't get to see it. But censoring without banning outright, especially in cases of bleeping, blurring, and the like, means calling glaring attention to the thing you're trying to shield the audience from, and most of the time not even disguising what it is that's being hidden. Given that, it's not surprising that artists, writers, filmmakers, etc. have used the tropes of censorship for their own purposes. There are countless examples going back decades and even centuries. If we insist on staying on the music videos topic, the blocked-out man nipples in the clip for R.E.M.'s "Pop Song '89" springs to mind; more recent videos have toyed with treating abstract bits of censorship as physical objects, like Beck pulling a pixel blur off his head like a helmet at the beginning of "Loser." But the video for "Toe Jam" by BPA (a.k.a. Fatboy Slim) featuring David Byrne and Dizzee Rascal takes the idea somewhere else entirely by making censorship sit up and do tricks. The set-up, such as it is, involves a gaggle of fun-loving folks gathering in a wood-paneled basement and getting naked. Once the naughty bits come out, they're immediately covered up by huge, blatant black bars wherever (and only wherever) they're needed to shield our eyes. It's not long after that we discover director Keith Schofield's one bit of inspiration, which was to notice that black censorship bars are basically typographical objects, and when you have typographical objects, you can make pictures. And make pictures they do—by bending at the right angles in groups, they draw arrows, hearts, a smiley-face (they flip the bird to generate little circles for the eyes), and spell out the song's title. Better yet, by alternatively exposing and covering their relevant bits with their hands, they make bars appear and disappear, which makes for some clever bits of animation and Busby Berkeley splendor. It's a one-joke clip, but the joke is a silly one, and it's fun to discover each new twist on the concept. There's even an extra subversion level in how the nudity is presented: because it's crammed with naked people and shot in a room decorated in 70's porn chic and a grubby Instamatic color palette, the expectation is for raunchiness, but there's a prevailing innocence to the whole thing, with lots of smiling, uninhibited dancing, and a general attitude of, "Whee! Being naked is fun!" Even the one sly giant-penis gag is more goofy than tawdry. I can't stand censorship, but I must admit that this is one video where seeing the naughty bits wouldn't be half as good.
slipjig3: (weirdo)
For those of you who still recall the almost-but-not-quite-finished [livejournal.com profile] 100videos project (both of you), over on Facebook I've started a reboot of the "greatest music videos of all time countdown" conceit, this time with a fully updated list of 125 videos instead of a measly 100 to make it truly Bigger Than Ever. And since FB's idea of a friends' feed is a festering and sad collection of donkey doots, to make it easier to find I'm mirroring the project on Tumblr over at The 125 Music Videos Project. Enjoy, and thank you for your indulgent attention. *bows*
slipjig3: (piggie)
"Le vent nous portera" by Noir Desír, from their final album des Visages des Figures:

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Unrelatedly, apparently the font on your resumé does matter. Hm.
slipjig3: (shaggs)
One plus to doing the radio show is that my musical listening tastes are as close to current as they've been at any time since the mid-90's. So much so, in fact, that I was not only inspired to do a top ten songs of 2012 list, but I couldn't completely narrow my choices down. So, herewith are my 15 (okay, 16) favorite songs of the past year. Your mileage may vary:

1) "The Way We Move," Langhorne Slim and the Law, The Way We Move
Absolutely the song of the year for me. This was how I restarted my brain every morning when I was crawling out of bed at 5:30 a.m. back in late summer, and it's still my go-to caffeine jolt for the ears. It's happiness made solid.

2) "Come With Me Now," Kongos, Lunatic
The band, four sons of singer-songwriter John Kongos, is currently tearing up the charts in South Africa. By all rights I shouldn't put this as high up in the standings as I did, since I only discovered it recently and haven't had time to live with it for a while. But…but…Jesus on a JetSki, just listen to this!

3) "Want It Back," Amanda Palmer and the Grand Theft Orchestra, Theatre Is Evil
Yeah, yeah, I know, she's a love-it-or-hate-it sort of musician, but I tell ya, even as a fan, I was not expecting to be blown backward out of my chair as emphatically as I was by Theatre Is Evil. Worth every dime of the million-smackers Kickstarter. The video is NSFW, by the way, but it's the best video of the year, full stop.

4) "You Will Become," Glen Hansard, Rhythm and Repose
[livejournal.com profile] figmentj and I saw his show at the Beacon theatre in NYC in support of Rhythm and Repose, and it was nothing less that a religious experience. This, the opening track, moved me to tears on first hearing, and second, and about the next dozen or so. Thank you, Glen, for all of it.

5) "Kingdom Come," The Civil Wars, The Hunger Games soundtrack
I was dragged to see The Hunger Games without having touched the books, and became entranced. And then I nabbed the soundtrack after lingering late enough in the credits to hear "Kingdom Come." My quote upon hearing those spine-tingling harmonies: "What the devil is this?" followed closely by, "WANT." (The Civil Wars had the nerve to break up last month due to "irreconcilable differences in ambition," the bastards. Sigh.)

6) "Default," Django Django, Django Django
I seem to have developed a serious Django Django-flavored jangle-pop addiction somewhere along the line. I make no apologies.

7) "Queen of the City," Joshua James, From the Top of Willamette Mountain
I'm kind of shocked by how much of this list drifts outside my usual comfort zone. I haven't given up on the singer-songwriter shtick by any stretch, though. James and his "Queen of the City" do it up right. Gods, I wish I'd written this….

8) "That Girl Don't Sleep," Daydream Vacation, Dare Seize the Fire
I've heard the phrase "pop confection" used to describe various bits of music before, but this is the closest I've come to truly defining what that implies. I could happily chew this song like salt water taffy for days on end.

9) "Rocket Number 9," Zombie Zombie, Rituels D’Un Nouveau Monde
French dance-tech outfit subverts modern electronica sensibilities by wrapping them in theremin-steeped Ed Wood fever dreams, then subverts that with a streetwise horn ensemble. Brilliantly weird, and weirdly brilliant.

10) "Black Magic," The Magic Wands, Aloha Moon
I just totally dig this. Enough said.

11) "Wolf," Tailor, The Dark Horse
I have no clue why this song (by another South African) captivated me the way it has. There's something about Tailor's appearance and demeanor that I find off-putting, but the song itself? It makes me feel like I'm fleeing something primal through unfamiliar woods, and I've forgotten how to breathe.

12) "Queens," THEESatisfaction, Awe Natural3
Another surprise. I'm not usually much one for hip-hop, but I love the way they use soul trappings like a paintbrush against the canvas of the rhythm track. Delicious.

13) "Mr. Blackberry," The Local Strangers, Left for Better
Oh, hell to the yeah.

14) "Henrietta," Yeasayer, Fragrant World
When I first heard "Henrietta," I didn't know what to make of it. I didn't know what genre it was, or where it was going. I certainly didn't know why it was crawling into my head and building a summer home there.

15) "Smoke," Sam Jackson, Sharp & Flat
I just tried to type up a description, and realized that I can't, other than to say that it's jazzy and fluttery and…and there I stop. Just listen.

Honorable mention:
"Call Me Maybe," Jimmy Fallon, Carly Rae Jepsen & the Roots, YouTube video
Shut the hell up. If you're not smiling by the end, check your pulse, as you may in fact be dead.
slipjig3: (Default)
I failed. In spite of my insistence on bookmarking every Valentinr request as it came up, I completely failed to respond to any of them. This depresses me no end, as I'd hate for any of you to believe even for a millisecond that I don't adore you with all my heart. So consider this to be my valentine to the whole lot of you, and know that, yes, I do love you, and can say so without a hint of irony or hyperbole:

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Watch.

Jan. 12th, 2011 08:24 pm
slipjig3: (Default)
I feel funny posting this, as it bears so much more sorrow than my life does right now, but it's too beautiful not to share:

Thought of You from Ryan J Woodward on Vimeo.

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